My name is Sam Lam. (It Rhymes!)


i believe in the power of imagery to awaken greater vision in ourselves and in our communities, to see the way we have been as a catalyst for what we can be.


and perhaps most simply, i see image-making as an act of love and a catalyst for the sharing of love — for ourselves, for our families, and for our community.


(Photo by Myraneli Fabian: https://www.instagram.com/myranelifabian_photography/.)


My bio and how i got into photography

Thanks for stopping by.  I appreciate you!


I'm based in Pacoima, in the San Fernando Valley of Los Angeles.


My dad was the person who got me into both photography and cars when I was younger. He didn't do so intentionally; I just remembered that both my parents spent most of their time hustling and surviving, and these hobbies were something that obviously brought him joy. My parents and extended family were refugees from the Vietnam War and came to the U.S., specifically to L.A., to try to make a new life. My dad loved L.A. and its culture and immediately hooked into car culture here. He specifically loved 60's to 70's era Mustangs and other American muscle cars. I also remember that he always had a camera and/or camcorder on him, and I'm thankful for all the images he made because I now have these images by which to remember him.


I originally grew up in Pacoima, in a predominantly Raza / Latino neighborhood, and now live again in my childhood house. For most of my adult life I lived in the San Francisco Bay Area, where I went to college and where I still have a lot of community including my godkids. However, in 2022 I moved back to L.A. because my parents' health was suffering and I intuited that the shoe was going to drop. I was right: Not even a few months after I moved back, my dad was diagnosed with an aortic aneurysm, and on the week before he was scheduled to meet with a surgeon, the aneurysm burst and he passed away. My dad was my mom's caregiver (she has dementia), so when he passed, my sister and I moved back into our family's house in Pacoima to take care of her. My life sort of closed in on itself at that time, and in an attempt to get back outside and be in community with my neighbors and the city of my upbringing, I picked up the camera again.


My entry back into photography grew faster and bigger than I could've ever predicted. My work has already been included in an exhibition among other photographers I deeply respect. I have been given unique opportunities to photograph community and cultural moments and have been included among the promotion for several local events. And most fundamentally, photography has been an essential vehicle through which I have built, and rebuilt, my community here in L.A. It also helped me realize how proud I am of being from here, and that I am grateful to have this new chance to know L.A. better and deeper, with all the tools, skills, and resources I've acquired up to this point, to show the world what this city and region are actually about.


In addition to photography, I'm a lawyer in the video-games industry. My specializations are in intellectual property (IP) and commercial matters (such as licensing and contracts), and I've used that knowledge to educate my fellow creators on their and their clients' rights.

Photo of my dad in front of what I understand to be the first car he had after coming to the U.S., his '69 Mustang. Circa 1976.

One of the first photos I captured, developed and edited (in the darkroom), and printed at UC Berkeley, using the Pentax MX. This was part of an assignment for a photography class. We were tasked with finding clean compositions using the rule of thirds. Circa 2001.

THE BIG BEATS OF MY ARTISTIC JOURNEY:

01.

The origins: 1982-2000

My dad was "the photographer" of our extended family. At our request, my dad got my brother and me our first camera: a Pentax MX (35mm film). I actually have to give big credit to my brother who was way more into photography at this time and who was the one who researched and selected this camera body. If I recall correctly, my dad and brother bought it at Samy's Camera, which is still in business and is one of my go-to camera shops in L.A.


During my teenage years, I also spent a lot of time practicing other visual arts, including drawing, calligraphy, typography, and graphic design. My uncle built me my first computer and my dad bought me my first copy of Adobe Creative Suite, which is how I learned Adobe Photoshop and Illustrator (spoiler alert: this would later set the stage for me to learn Adobe Lightroom and Premier Pro).

02.

The Early Years: 2000-2006

I took the Pentax MX with me to college at UC Berkeley, where I had a membership to the student union's darkroom and took several years of photography classes and workshops and photographed as much as I could in my spare time. I still have my contact sheets and some of my prints from this period!


Around this time, I also dabbled in digital photography, specifically with early Canon EOS Rebel DSLRs such as the T7.


03.

The Hiatus (but not really): 2006-2024

After college, I didn't do as much photography, unless you count me taking photos on smartphones. However, during this time, I was still engaging in visual arts, including through drawing, painting, calligraphy, sculpting, and 3D modeling. I have a section on this website that exhibits some examples of my non-photography artwork from this period.


I say that this period was "not really" a hiatus because, although I wasn't explicitly photographing, I was still training and developing the same principles that have come back to inform my photography, such as shape design, composition, color theory, and value (i.e., light vs. shadow) theory.

04.

Now: 2024-present

After my dad's passing, I decided to explore modern mirrorless cameras on the market. I defaulted to Canon because I remember loving the Canon EOS DSLRs, hence why I shoot Canon mirrorless now. (To be honest, pretty much any brand of camera on the market now is light-years ahead of anything we had back when I was shooting film only.) Since I started back up, I have barely stopped. On any given weekend, I typically have at least 3 photo shoots or assignments, and then I spend the rest of my "free" time editing.

Design of my logo


Quick note about my logo: The design is a stylized combination of my initials "S" and "L," and is heavily inspired by Chinese and Vietnamese seals made with a stamp and red ink, which you can learn more about here: https://en.wikipedia.org/wiki/Seals_in_the_Sinosphere. (See sample, above right.)